Busyland. It's right near the edge of the earth, so if you think I fell off it, you're close. Actually, to fill in the income holes between painting sales, I do websites and have been constructing one for a long-time client... I am trying to set it all up with good CSS structure which makes it easier to change in the future should they want a new look. Unfortunately, some of the structure I have been attempting is mind-boggling when switching between browsers. It's astounding that since 1998 when CSS2 standards were established, all the major browsers do not agree on how to display pages using these standards. But I have also been working on three commissions I have obtained since the San Diego Reader cover article about me hit the stands. I simply have not had much time to do anything but "real work" -- which is a delight for a full-time artist. Along the way, I have been feeding my artistic mind with how-to videos rented from SmartFlix.com. One of my favorites to watch (or just listen to) is the 10-hour set of Morgan Weistling's Advanced Fundamentals for the Beginning Expert, which you can now rent from them. Even though I practically know this video by heart, it's like the Bible in some ways -- I always get something new out of it, or at least a good reminder or two, minimum. I have also watched and enjoyed DVDs such as In the Studio with Scott Burdick, Richard Schmid's The Captain's Portrait, and John Howard Sanden. (These are found in the SmartFlix Painting: Oil category.) Sometimes watching or listening to masters talk about their work beats the heck out of listening to music. And I love music! Also, I have been switching gears a little to try acrylic painting again. For the majority of my career as an illustrator I avoided oils due to longer drying times, and my general unfamiliarity with the medium -- preferring acrylic for just about everything. When I started painting in oils full-time in 2000, I left acrylics behing (actually, in a drawer), and didn't look back. But the work of Roger Bansemer has sparked interest once again in acrylics... Especially his Tropical Paintings. He is also the influence behind my trying a limited palette for my recent paintings, starting back on July 4th with San Elijo Lagoon. His tropicals are largely done with Red, Blue and Yellow, White and Black. Above is an 18" x 6" of the Pacheco Pass in northern California (SR-152) that I played with for an hour or so recently, painting from a photo I took on a recent trip. I'll finish it when I get the time.
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