A few inspiring blogs for you to check out later:
- The Broadview Blog - An interesting approach to understanding plein air painting. Concept Artist Robh Ruppel — also a student of the late Fred Fixler — demonstrates with digital media (Wacom tablet and stylus, plus Photoshop or other digital painting app.) how he constructs digital paintings that are every bit as amazing as those done in traditional media (which Ruppel also handles expertly)
- Land Sketch and Nathan Fowkes Art — Two blogs by artist Nathan Fowkes who does extremely simple, little color and value studies to truly capture the essence of what he is looking it. Often using a combination of gouache (pronounced 'gwash') and watercolor in his little sketchbooks, these are gems, all. Take a look at his painting kit, shown at the top of Land Sketch. Gouache is the fancy name for high-quality opaque watercolor, sometimes called tempera.
Cheapest Mailing AvailableI found a cheap way to mail paintings. The safety and condition is not guaranteed, but the reduction of postage costs is.
Today, I am mailing to an artist friend of mine, using no packaging, a sketch that I started on a painting panel but know I won't get back to. That's right, I just wrote on the back like a postcard, addressed it, weighed it and put proper first-class postage on it. (I'm not completely stupid: I did wait for it to dry and then I varnished it). ;-)
I have no idea what it will look like when it gets there, but it seemed like a funny idea to me. Much better than tossing it in the trash or a fire. Someone will be surprised. And maybe a few postal workers will get a good eye-roll out of it.
Update: The recipient, my artist friend Annie Salness, called to let me know that it arrived in great shape, "not a scratch on it."
The BroadcastNot sure when I will be back on (my broadcast Dave the Painting Guy), but I wanted to be in touch. I'll let you know by mass mail when I am back to broadcasting. Should be soon.
I may get on very soon and work more on another demo I started, at right. I painted a fellow named James who came to watch my demo for the Santa Clara Art Association on Wednesday March 2, 2011.
I only had about 1 hour to 1-hour-15-minutes to do an oil portrait (a little too lean on time for my taste), so I did not get terribly far. But as always, I had a great time.